The artist Marlene Bart lives and works in Berlin.

Her practice is situated at the intersection of natural history, anatomy and visual art. Bart is also a researcher and futurist who envisions the possibilities of how a common visual language in art and science could be used to address holistic issues such as the meaning of ordering systems.

The diverse use of multimedia techniques (printmaking, artist books, sculptures, taxidermy, installations, VR & AR) allows her to playfully integrate a wide range of visual content, referencing the historical dimension of scientific publications, which she firmly places in a contemporary context. This approach illustrates Bart's interest in the interplay between technology and technoimagination.